Showing posts with label 'For Everyone'. Show all posts
Showing posts with label 'For Everyone'. Show all posts

Friday, February 24, 2012

LAUNCHED


My book FOR EVERYONE: WORDS AND PAINTINGS was launched on Thursday night. And it was a fantastic night too. Scott Emerson MP, Queensland State Member for Indooroopilly and Shadow Minister for the Arts [as well as Transport and Multicultural Affairs] launched FOR EVERYONE. Around 90 people came to the event, on a miserably wet night too. Thank you to all of you!

I've uploaded some photos of the exhibition and some from the launch.

The exhibition showcases the thirty original paintings inside FOR EVERYONE. Click here for more details.




The exhibition is at FireWorks Gallery 52A Doggett St, Newstead, Brisbane.
Gallery Hours: Tuesday - Friday 10 am - 6 pm Saturday 10 am - 4 pm
07 3216 1250

Good News!!!
The exhibition has been extended until Friday March 2nd! Thursday night extended to 7.30 pm!

Achievement, Alone, Excitement Within, Asleep: All gouache on paper

Dare to Be, Behind The Mask, Inspiration Calling, Disappearance: All gouache on paper

 Keyhole, Listen, Inner Child, Beyond The Boundaries: All gouache on paper

Now to some photos from the launch night!

Me with Scott Emerson MP...and FOR EVERYONE

Speech making Me with Scott Emerson MP and the Director of FireWorks, Michael Eather watching.

Scott Emerson MP, Me and Director of FireWorks Gallery, Michael Eather.


Book sales are going really well. Two people returned today to buy more books! Plus a number of people who could not get to the launch came along today and bought books.

Please click HERE for more details about FOR EVERYONE...where to buy etc. It is available online many online book selling sites plus GOMA and Queensland Art Gallery Bookstores.
It is also available as an e-book...BUT only in colour in the USA with a Kindle Fire

Cheers,
Kathryn

Wednesday, February 15, 2012

INSIDE FOR EVERYONE

Alone Gouache on paper 28 x 37.6 cm

BOOK LAUNCH UPDATE

It is one week until my book For Everyone: Words and Paintings is officially launched! Whilst it was published in Sept/Oct last year I decided not have a launch in the middle of Christmas mayhem and partying. So, next week it is! Thursday 23 rd February.

Please check HERE for all the details, plus testimonials and more.

The launch will take place at FireWorks Gallery one of Brisbane's best known art galleries. Check out the gallery's history HERE I am very grateful to the Director, Michael Eather, for allowing me to hold the launch and mini exhibiton at FireWorks.

The thirty original paintings inside For Everyone  will be exhibited from the 22 - 25 February at FireWorks Gallery. The paintings have not been exhibited before.

*The e-magazine The Culture Concept has written a short piece about the launch.

For Everyone
The thirty paintings inside For Everyone are each accompanied by some short, and sometimes, poetic prose which is neither didactic nor descriptive. The prose and paintings stir your inner child/essence so that the book becomes all about you, and the conversations you have with yourself and others. Whilst the paintings were initially inspired by observations of my children, particularly as they entered the educational system, over the years I have realised that they are more about the inner child/essence which lives within us all, influencing how we react to events in our lives, how we love and hate, how we cope with success and failure...and so on.

INSIDE FOR EVERYONE
I have uploaded some of the paintings inside For Everyone. The paintings were created in 1997 when my children were very little. In fact, I was pregnant with my third child when I painted this series. She is a bit put out that she's not in one particular image, the one just below called Dare to Be. This painting depicts a family of four, Mum, Dad, and two children with a crowd of eyes staring at them. Yes, it is a painting of me, my then husband and our two children. I have tried to portray how we felt when we were lobbying for a differentiated educational program for our eldest child. We lived in a small country town and the issue became a point of discussion around the community!

Yet, whilst this painting was inspired by a particular series of events it actually, I believe, demonstrates how we all might feel when we step outside the norm. We feel all eyes are on us, we temper our behaviour not to be too noticeable, we gird ourselves to pursue what we think is right...and so on. We can feel anxious, fearful, questioning ourselves and others, angry, disappointed, excited, proud... These kinds of feelings wax and wane as we grow older. But as we get older we become gamer and braver. But, do we?

Dare To Be  Gouache on paper 28 x 37.6

Asleep Gouache on paper 28 x 37.6 cm

This is the prose I wrote for Asleep:

Why did the slow tortoise and the fast hare race each other?
Steady wins the race, so the moral goes.

But, do mismatched races benefit anyone?



Which One? Gouache on paper 37.6 x 28 cm

The initial inspiration for Which One? came from witnessing how my children changed their behaviour according to environments eg: home, educational etc. I watched as they conformed [or not] to perceived expectations from teachers and friends. How they negotiated the complexity of playground dynamics, performance expectations from teachers, parents, friends etc. Absolutely fascinating and I am sure very normal. Yet, sometimes I wondered if one particular child was really just too attuned to other's expectations and approval or disapproval!

As time passed and I re-looked at the paintings in this series, I realised that paintings such as Which One? 'speak' to all of those who are vulnerable toseeking approval and avoiding disapproval, often becoming angry with oneself when behaviours and decisions are based on everything but one's own desires and dreams. Ultimately the question asked is 'Who am I?'

This is the prose accompanying Which One? in For Everyone:

Who are you?
Self perceptions can morph wildly
from one situation to another,
especially if the approval of others is the master.

When you ponder the other paintings in this post, and in For Everyone, you will see how they all relate. Indeed, the painting below Disappearance takes on interesting connotations when considered with Which One? Do people 'disappear' as they morph to expectations or do they need to disappear to find themselves again? Think about Which One? in relation to Who Pulls The Strings?

Inner Child Gouache on paper 47.6 x 28 cm


Disappearance Gouache on paper 37.6 x 28 cm

There are many conversations you can have with yourself about Disappearance.


Let Them Fly Gouache on paper 37.6 x 28 cm

Who Pulls The Strings? Gouache on paper 37.6 x 28 cm

I'd like to think that people, who buy For Everyone will return to it time and time again, just to ponder and to let their imaginations 'go'. But, there are many possible scenarios where the book can be used to spark conversation and creativity. A primary school teacher has told me she will be using For Everyone as a stimulus for her gifted and talented creative writing class. I young consellor has seen possibilities where the book could be used as a stimulus for conversations with clients/patients, to draw out those secrets we hold within our psyches, within the inner child. I can see For Everyone being a tool to stimulate conversations with the elderly, where memories of their early lives may be stirred, revealing those details that are often missed in simply recalling facts about events.

PRICES
The paintings will be exhibited from 22 - 25 February at FireWorks Gallery. They will be on display for the actual book launch on the 23rd. Details HERE

All, but one, will be exhibited unframed. I have framed the painting which is on the front cover of For Everyone so people can get an idea of what the paintings might look like when framed. The unframed price is $700 AUD and framed $920 AUD

My children have picked out one painting each to keep.



Tuesday, January 31, 2012

THE MOON

Memory Oil on linen 80 x 120 cm 2002
Memory Previous Post
I am working on a new painting...an 'everything landscape'. But, whilst I have been working, thinking, sitting and standing in front of my easel, I realised that over the years the moon has been a significant inspiration. As reguler readers know, the cosmos inspires me...not just the literal one out there in space, but also the metaphoric one within our psyches.

So I decided to upload a selection of my paintings where the moon appears. And, as I went through my files I realised that whilst the moon represents time and cycles it also anchors me to my childhood... or rather it stirs my inner child through memory. Indeed, the painting above is called Memory. Childhood memories were also the stimulus for the painting below When I Was A Child I Dreamt I could Fly.

In both paintings the phases of the moon orientate the figures in time and space. Time's dance of infinite cyclical movements, stirs the universal memory. I am reminded of a recent post Elemental Dance where I mention the Whirling Dervishes. Their mesmerising, and trance inducing, whirling movement seems to condense the universal/multiversal cycles of life to a persistently contemporary beauty which reminds us of life's propulsion. Like a vortex the Dervishes suspend time linking all experience.


When I Was A Child I Dreamt I Could Fly Oil on linen 80 x 120 cm 2003

The painting below The Flat And Fanstastic Horizon is also grounded in memories of my childhood growing up on the flat treeless Pirrinuan Plain outside Dalby, in S.E Queensland Australia. The whole painting is created with a cascade of tree-of-life symbols. The full moon forms a portal-like presence in the night sky.

I have previously written about my Grandmother, who had a great interest in astronomy. She tried to teach me and my two brothers to identify certain stars and the constellations. Apart from my Grandmother's cosmological interests, the night sky of my childhood could not be ignored. On a clear night the Milky Way was like a swathe of glistening fabric flung across the heavens. The glistening was not dulled by any ambiant lighting from cities or major settlements. The stars and the moon glowed fulsomely and elegantly.

This takes me to another painting, a more recent one to The Flat And Fanstastic Horizon. In fact, only since starting this post have a I realised the connection between the two paintings. The second one is The Beginning Of Everything  [It is below The Flat And Fanstastic Horizon.] Please read my previous post where I write in more detail about my grandmother and the landscape of my childhood.


In 1969 when man first walked on the moon, my parents, particularly my Father, insisted my brothers and I stayed home from school to watch the landing on TV. I still remember the grainy black, white and grey images.

The Flat And Fanstastic Horizon Oil on canvas 100 x 120 cm 2006

The Beginning Of Everything Oil on linen 90 x 180 cm 2010

In Unison Oil on linen 92 x 208 cm 2006

I did not write much about In Unison in my previous post but regular readers will identify my inspirations. And, there's the moon reminding us of cyclic rythms over time. This painting was sold to a collector in Korea.


Meeting Place Of The Mind Oil on linen 100 x 70 cm 2011

In Meeting Place Of The Mind the morphed male/female figure, synaptic in its connective qualities, is hooked into the universal/mulitversal tune. The phases of the moon are watchful as they shed their varying nuances of light on generative impulses. The moon is more commonly thought of as a symbol of feminine power, with the sun symbolising masculine power. However, there are exceptions in some cultures [some African and American Indian tribes, in Japanese, Maori and some Oceanic symbolism where the moon has a masculine fertilising symbolism]. When I read this I thought of Meeting Place of The Mind where 'mind' is neither male nor female, but a force where life's compulsions become one.

Mother Nature Gouache on paper 30 x 42 cm unframed 2011

In Mother Nature [above] the female figure, representing Mother Nature, seems partnered with the moon. In this case the moon is a symbol of feminine power. The fulsome light of the moon is reflected in the curves of Mother Nature's womanly body and the vascular/placenta-like branches erupting from her feet. The moon's light reveals Mother Nature' aura, shared with all existence.
Sap Of Life Oil on linen 55 x 80 cm

Sap of Life essentially refers to water, the sap of life. As in Meeting Place of The Mind the female figure represents Mother Earth, her aura reflected in the moon's nuanced light. The feminine power to give life with a fertility that flows in an eternity of cycles dances along with the universal song, waxing and waning in timbre. Please read my previous post here


BOOK LAUNCH AND TESTIMONIALS

Just a reminder that my book launch for 'For Everyone: Words and Paintings' is Thursday 23 February! Click HERE for more details.

TESTIMONIALS

Not only is Kathryn a deeply talented, original and inspiring artist, she has a gift for wordsmithing as well! Utilizing the raw power of her art, ‘For Everyone’ is a masterful insight into the very essence of who we truly are, our complexities, our simplicities and who we are meant to be. Dr George Blair-West, Author of The Way of the Quest

In Kathryn Brimblecombe-Fox’s book, 'For Everyone: Words and Paintings', the combination of words and images is a gift to the senses. I highly recommend it. Felix Calvino, Author of A Hatful of Cherries
For Everyone is absolutely beautiful and as I read the prose, and looked at the paintings, it was like going on a personal journey of my life. It touched on fond memories of my childhood and reinforced my beliefs in being an individual. As a teacher I know this book could be used in so many ways. In 2011 I organised and ran the Gifted and Talented Program in Writing at my school. Many students in my class published their poetry and stories in an Australian wide writing competition. I am continuing in this position in 2012 and will incorporate this unique book to help my students develop their ideas and be more expressive. The paintings and phrases in For Everyone are great conversation starters. They will also inspire and encourage students to be brave enough to share and express their thoughts and individuality. This book is a fabulous resource for educating and inspiring young people to share the beauty from within! Lou Walsh: Primary School Teacher



BLOGS/SITES OF INTEREST

Here are a few blogs/sites I think are interesting. It's a broad array!



Cheers,
Kathryn

Tuesday, January 10, 2012

LOVE...Valentine's Kind

                                                    Sending Love oil on linen 90 x 180 cm

So, I have decided to be a little light hearted for this post. I've decided to focus on love...yes love....the romantic kind.  Valentine's Day is just around the corner!

I have uploaded a few paintings which I think would make great Valentine's Day presents. Why, because they are about love, some are a little sexy, a couple remind us of the Adam and Eve adventure. That story which is so often very simplistically interpreted eg: man was lead astray by a woman!

So let's begin:
Sending Love above, is my interpretation of love emmanating from a central force eg: heart! The heart is the tree-of-life, which is a symbol of life, itself signified by a pulse...heart!  Love is pure, hence the white and pale tones of the tree and the emmanating light which cascades from it. In my mind, we have the capacity to conjure great feelings of love, and then send this love, as white light, out into the world or to the people we love. Our imaginations hold a force which extends beyond us.

Into My Galaxy Oil on linen 85 x 147 cm
Into My Galaxy...well what more can I say! When in love the 'galaxy' is just the two people who are in love. Their own world, where sparks fly, frisson seduces, time collapses and perfection reigns.  Now, this painting, as it has been pointed out to me, can also be read as the moment of fertilization! Regular readers will know of my great interest in collapsing perspective. So, we have travelled from a galactic perspective to a very intimate internal one. The latter being the moment of life's first quiver, a culmination of an act of love.
Forever Connected Oil on linen 120 x 80 cm

Forever Connected is a painting which 'speaks' about the connections forged by shared stories across time and cultures. On a macro level we all share the same story...the one about how the universe/multiverse was created! Focusing in a little Forever Connected refers to the story of the burning bush and Moses. This story is shared by the three Abrahamaic religions, thus connecting Islam, Christianity and Judaism forever. And focusing n a littel more, the love of two people also forges a connection across time through children and other relationships...and this connection continues even in divorce and after death! 

Compassion Oil on linen 100 x 100 cm

Compassion is a really beautiful painting! It is currently hanging in my sunroom and many people have commented on it. This painting was also selected for the Blake Prize Directors' Cut online exhibition. The paintings selected for this were shortlisted for finalist selection in the main Blake Prize, but did not quite make it. http://www.blakeprize.com.au/galleries/directors-cut

Two trees-of-life meet in a blaze of light, their branches connecting and embracing to form a circle, which seems to be many things at once...an opening to a portal, a crown, an embrace, a celestial entity.
Compassion is a very important ingredient in any relationship, whether it be between countries or individuals. This is the post where I write about my thoughts on compassion and Compassion http://kathrynbrimblecombeart.blogspot.com/2010/07/compassion.html

Remembering The reason Why Oil on linen 100 x 70 cm

Sometimes, in a relationship, one needs to remember why. Please check out my previous post HERE
In The Garden of Eden Oil on linen 50 x 94 cm

This is a painting not simply about Adam and Eve, but about men and women. please check out my previous post on this painting HERE 
'She was not made out of his head to surpass him, nor from his feet to be trampled on, but from his side to be equal to him, and near his heart to be dear to him." [Jamieson-Fausset Brown Bible Commentary] Oil on linen 80 x 120 cm

The title of the painting above says it all really...don't you think?

Hot Gouache on paper 15 x 21 cm unframed

So, back to a bit of fun. Hot is a small painting and it is meant to be HOT! Sprouting wings, red, swirling colour...up to you! 

The paintings above range from $300 AUD up to $6,800 AUD [Excluding packaging and freight]
[Prices correct as of 11-1-12, but will change as time goes on. if you are reading this in many months time, please check for updated prices]

AND, I do have many other paintings on my WEBSITE
Some paintings are listed with prices. Please contact me via my website for any price enquiries.

 
AND
Please check out my BOOK LAUNCH SITE
For Everyone: Words and Paintings


NEXT EXHIBITION

QUIVER

17-29 April
Graydon Gallery

 
Cheers,
Kathryn

PS...Please click on the 'share' buttons below if you have Twitter and Facebook accounts...or any other sharing social network membership. It all helps spread the word. Thanking you in advance.

Tuesday, December 20, 2011

MY WOMEN

Homage Mixed media on paper 37 x 27 cm 1991

The female figure has been a constant presence in my work, particularly since 1991 when I had my first baby. Not all my work depicts women, but I have been told, that my work exudes many aspects of the feminine. Regular readers will possibly think of my love of the tree-of-life, an age-old transcultural/relgious symbol of ongoing life in all its many splendours.

The painting above 'Homage' was created when I was pregnant with my first daughter. The pregnant woman is me, but she seems to resonate with shadows of herself. These are the women of my paternal and maternal ancestry. I look at this painting now and chuckle. Why? Because it is prophetic...the three baby figures on the left seem to be telling my much younger self, that I will have three children. And, I have.
I called it 'Homage' because my maternal grandmother died only six weeks before my first daughter was born. I was her only grand-daughter and a very strong link existed between me and Grand-ma-ma [Yes, that's what she insisted on being called!].

The stepping depicted in the painting was a conscious attempt to depict some kind of acsension, progress...birth to death...but also whatever existed beyond them...no end.

 
                                                                Life Oil on linen 80 x 200 2005

This painting 'Life' was created fourteen years after 'Homage'. It depicts a road with figures puctuating the route. This painting 'speaks' of the cycle of life, but belies the notion of a circle! It is actually somewhat 'dark'.  In this painting I am reflecting upon the power of insidious expectations placed on women ie: that there is a 'road' or 'map' and deviations are not welcomed or possible. Well. I know that is untrue. My deviation, like that of many other women, was divorce.


                                                Am I Mirage? Oil on Board 40 x40 cm 1992


Living With Distance Oil on linen 120 x 160 cm [Diptych] 2001-2

The two paintings above, done ten years apart, resonate with a feeling of distance, yet the female figures seem to emerge from the landscape. In 'Am I Mirage?' I believe now, that the younger me was searching for some kind of identity that was not hinged to the identities I played to 'fit in' to societal expectations. In 1991 I lived in a small rural community, in 2000 I divorced after eighteen years of marriage and moved to Brisbane.

I'd like readers to look at the above two paintings and compare them with the next two.

Breath Gouache on paper 30 x 42 cm 2011

                                     Mother Nature Gouache on paper 30 x 42 cm 2011

The two paintings above, painted this year, and nineteen years after 'Am I Mirage?' and ten years after 'Living With Distance', tell me that the feeling of distance is not longer there or if it is, it is not about being lonely. In the recent paintings the female figure seems less agitated, less tethered. She is Mother Nature, so she is me and she is you. She is that impulse for life within us all...that impulse shared with whatever urge it is for all existence.
I have created a 'gallery' called My Women 1991-Present on my website. There are many more paintings in this 'gallery'. On the one hand this 'gallery' is a very personal visual journey, but on the other hand I know other women will resonate with it...and men too. Looking at the paintings, they also fall under the more general label figure in the landscape. Given that I was born in the country, and then spent eighteen years of my adult life living in the country, it is not a surprise that landscape is an essential part of my inspiration. However, I sense that my recent work is untethered from specific place, as if landscape itself is freed from being bound to Earth. This reminds me of another painting [below] called When I Was A Child I Dreamt I Could Fly.

                    When I Was A Child I Dreamt I Could Fly Oil on linen 80 x 120 cm 2003
                  http://kathrynbrimblecombeart.blogspot.com/2006/09/school-holidays.html

When I Was A Child I Dreamt I Could Fly painted in 2003 [when I was certainly no longer anywhere near the age of a child] is a painting directly 'speaking' with my inner child...my inner essence. Even now I can remember the feeling of flying...it was fantastic. AND, this takes me to my book 'For Everyone: Words and Paintings'....a book which calls to your inner child or essence by prodding memory.

 
'FOR EVERYONE: WORDS AND PAINTINGS'

Click HERE to go to 'FOR EVERYONE'S' own page. All sorts of links including where to buy! 

Click HERE to check out Kris Wampler's online interview with me about my book.

Click HERE to go to Jimmy Kopelia's Magazine with a collation of interesting BLOGS, including mine!

Click HERE to see where 'For Everyone' is listed in the SPBRoundup Religious/Spiritual/Inspirational online listing.

Cheers,
Kathryn

Thursday, December 8, 2011

FOUNTAIN OF LIFE

Fountain of Life Gouache on paper 30 x 42 cm

My last post was called 'Below The Surface' and this new post will be linked, but tangentially so. Regular readers will be used to my tangents!

BACKGROUND
Regular readers will also know of my interest in water. I grew up on a grain farm on the rich black treeless plains outside Dalby, on the Darling Downs, Queensland, Australia. As an adult I spent eighteen years living further west in a small rural community called Goondiwindi. For much of my life water, its uses, cost, manipulations and 'value' has been part of my life. Goondiwindi was the commercial and social hub for a diversified agricultural community...cotton, sheep, cattle, grain, pigs, some fruit and vegetables. Irrigation made much of the farming activity viable, and above and below ground water supplies watered livestock.

This link HERE will take you to a Google image of my childhood landscape. The red colour in the fields is sorghum [obviously a very good season!]. It is truly beautiful! Imagine fields of sunflowers or wheat. The treeles flat plain is like an ever changing canvas.

WATER
Issues surrounding water are of paramount importance across the globe. In Australia water and its uses, allocations, price etc seem to be constantly discussed. Currently the ongoing debate about the Murray Darling catchment area, and agricultural use vs environmental impacts, has heated up. Also, heating up are concerns about above and below ground water and the impacts of coal seam gas mining on them.

So, for any new readers, the above paragraphs provide some background for the inspiration behind my paintings. My interest in water is part of a larger concern for the planet. I've listed more water paintings and posts below.

FOUNTAIN OF LIFE
In this new painting above, I wanted to capture a feeling of water rippling below the surface. Yes, there's that term below the surface from my last post. The female figure is Mother Nature. With the trees-of-life erupting from her feet and heart, she is the source of life on Earth and the Multiverse. She seems to swim in an ambigous 'landscape'. Is it an earthly landscape or a cosmological one? For me it is both and all. Beneath the main tree-of-life, with its vascular-like embrace, faint lines and shapes are discernible. Are these the remnants, meminders of life's first pulse? Are they below the surface or do they beckon to the beyond? The blue symbolises water, itself a symbol of the subconscious where the impulse for life exists? So below the surface, as I wrote in my last post, is a loaded term...is the surface a literal or a metaphorical one?

As we scramble to plunder the earth's resources, do we take time to ponder those elements which breath life into her and thus keep us alive? We are 70% water...and so is Earth.

I am not against mining per se, but I am concerned about the rush to develop and expand, without rigourous research into potential impacts on the environment and food production.

BOLIVIA
Bolivia is taking some interesting steps to place nature's rights on par with human rights.

Eath's Wisdom Gouache on paper 30 x 42 cm
Earth's Wisdom...need I say more?!

SELECTION OF WATER POSTS



UPDATE FOR EVERYONE: WORDS AND PAINTINGS



OFFICIAL LAUNCH
23 February 2012 6-8 pm
Fireworks Gallery
Scott Emerson MP, Queensland State Member of Parliament for Indooroopilly and Shadow Minister for the Arts, will be launching FOR EVERYONE: Words and Piantings

Please check out FOR EVERYONE's own page here

I am now listed as an author at Goodreads

Cheers,
Kathryn
You can see more of my work at: www.kathrynbrimblecombe-fox.com

Sunday, November 6, 2011

BREATHING ACROSS TIME

Breathing Across Time Oil on linen 50 x 94 cm

My inspiration is Mother Nature. She 'speaks' to me. Regular readers will know of my concern for the environment, our earthly one, our cosmological one and our inner environment of the human psyche. I 'see' them all as linked, as One across time and space, indivisible.

And, my tree-of-life, the age-old transultural/religious tree symbol extends its roots and its branches into the inner and outer worlds of existence.

I am really excited about where the tree and Mother Nature are taking me. I am really enjoying painting, sketching my ideas and noting down thoughts. I 'see' a coalescence of various elements I have previously written about...beauty, compassion, distance, perspective, sacred feminine, systems and more. All of these 'speak' about our world and remind us of what we lose if we languish in complacency, rhetoric, celebrity worship and political posturing.

Breathing Across Time was inspired by my recent gouache on paper painting Breath which I wrote about two posts ago http://kathrynbrimblecombeart.blogspot.com/2011/10/breath.html  In Breathing Across Time
a woman's figure seems to float inside a vortex or spiral, as if it is a transporter across time. The quivering of a spiral reverberates with energy and force, like a lung breathing. The female figure is Mother Nature, and as she breaths so do we, so does the Earth, stars and other universes. Breath and pulse, the common signs of life.  

She Calls Gouache on paper 30 x 42 cm

So, to She Calls...Mother Nature, the sacred feminine calls us to breath in unison with her. The tree-of-life erupting from her arms and legs reminds us of the life force running through our veins. The vascular energy connects Mother Nature to us, to all... across time and space. The red female figure seems like an artery herself. As she beckons we 'see' that her heart and mind are connected. A hint for us to check our own connections.

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Please have a look at my new 'gallery' on my website called My Women 1991-Present



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And please check out the Directors' Cut [Blake Prize] online exhibition. My painting Compassion was selected. It is for sale too!

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Plus a GOOGLE preview of my book FOR EVERYONE where you can see the first 5-7 pages.

FOR EVERYONE- PRESS RELEASE

You can BUY FOR EVERYONE from AMAZON too!


The book launch will be February at Fireworks Gallery, Newstead Brisbane. I shall keep you posted!


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Plus, I have created a 'gallery' on my website of paintings Under $1000.
Ideal for Christmas presents!

The two paintings below are examples:

Collapsing Perspective Gouache on paper 21 x 15 cm $300 [unframed]

Trees Dancing Gouache on paper 21 x 15 cm $300 [unframed]

And, please check out all the other galleries on my website too:

Cheers,
Kathryn