At The Firey Gate Gouache on paper 30 x 42 cm
I am continuing to explore ideas of Mother Nature with paintings that behold the feminine essence of our earthly, cosmological and spiritual lives. This exploration expands on my concerns for our immediate environment and my interest in the distance between the vast and nano, whether it be spatial or temporal, physical or spiritual.
At The Firey Gate suggests that Mother Nature is suspended at the gate to Eden/Paradise? Have we sacrificed her? She is us, she is all, past-present-future. What do we need to do to pass through the gate to return to Paradise? Fire, as a purification symbol 'speaks' of change, which can be either forced upon us or actively sought. Surely the financial mayhem, climatic and environmental turmoil we are experiencing at the moment, screams for the need to make fundamental changes to the way we live and operate.
North South East West Gouache on paper 30 x 42 cm
North South East West is titled without commas between the words, because I want no borders or barriers to exist by implication. Punctuation can subliminally suggest border/boundary and thus difference. Yet, each point around the 360 degrees of the compass is a direction. In this painting the female figure, Mother Nature-the feminine life force- extends her reach in all directions, with the vascular-like tree-of-life pulsing within and beyond. She is connected to her physical world, as well as her inner world. She is me, she is you, she is us.
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FOR EVERYONE: Words and Paintings
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Please also check out the DIRECTORS' CUT- BLAKE PRIZE- ONLINE EXHIBITION
My entry into the Blake Prize, was shortlisted by the judges but was not chosen as a finalist.
The Directors' Cut Exhibition is a selection of those works which were shortlisted.
The exhibition is online until 31 January.
You can see all the paintings at:
The exhibition is online until 31 January.
You can see all the paintings at:
Cheers,
Kathryn
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