Monday, September 7, 2009

FLYING


Flying Oil on linen 80 x 120 cm 2004



Hot Gouache on paper 15 x 21 cm 1995


Following on from my last post, I have uploaded a couple more older paintings. I had hoped to post an image of my very latest painting, but I have only just finished it [like right now!] and will not get around to photographing it until tomorrow. It is 10 pm and I am ready for sleep.

These two paintings are about flying. The first one was painted after I left Goondiwindi [small rural town in western Queensland] and moved to the 'big smoke' of Brisbane. The woman flying is a bride and her shadow on the ground follows her. Readers of my BLOG would know that as a child I dreamt I could fly...and it was not just a night time dream, but an experience I had both at night and during the day. I knew what my parent's farm looked like from above even though I had never been in a plane above it. This experience of 'flying' has obviously influenced my need to experiment with different perspectives in my work.

I was a young bride when I moved to Goondiwindi and my mother was a young bride when she moved to the family farm outside Dalby. In fact, there have been many young brides in my family who have moved to live in rural Australia. The men marked the land literally with their fences, roads, dams, ploughed paddocks etc. But, the women leave markings which are more about the fabric of the community. They leave their spirit in a different way to the men, who also leave their spirit inbedded in the earth with their sweat and in many cases their tears.

The young bride above seems to hover above the land with the horizon enticing in the distance. Over this horizon there maybe other horizons, but she seems wistful about her present place. Readers of my BLOG know that I use landscape elements as metaphors for our emotional landscapes. The horizon can be interpreted literally or be understood as something which is inside us, a place where we search to know who we are.

The second painting 'Hot' is a more playful image, where the two figures placed against a red background seem to be absorbed into the fabric of the image. I played with the word hot to mean both heat and sexy.

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